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Sadly, Female Worry would tag the final collaboration between John Waters and the fiendishly glamourous David Lochary.
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John Waters is one of the few filmmakers who understands the mechanism by which high-profile criminals become well-liked icons in the public’s imagination. In Female Difficulty this understanding is investigated with the typically perverse Waters’ touch. Ultimately, the film is not particularly subversive when viewed within the earn of the sewer which is contemporary common culture. Nevertheless, Waters illustrates the attractive line that exists between glamour and crime. Criminals, as long as their trials last (and oftentimes beyond) are treated with a kind of scrutiny usually reserved for Hollywood elite and heads of Space.
In Female Concern, we are treated to the birth of absolute glamour. Dawn Davenport,as played with typical manic abandonment by Divine, is clearly a young woman of vision. She is trapped at school, thwarted at home, and utterly unable to satisfy her necessary beauty needs. When things are at their bleakest, Dawn doesn’t yell. She takes action and takes to the road. Her fight for liberation from a world infected with glamour abortions–is the core theme of this film. Beauty at all costs. It is a heavenly dream indeed.
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Of course, something that sexy is skedaddle to gather picked up, apt? In Dawn’s case, she gets picked up by Earl (boozing machinist, played magnificently by Divine (as Harris Glenn Milstead) . Earl knows a hot body when he sees one, so he takes Dawn to an abandoned matress and proceeds to construct sweet fancy to her. Notice, it is actually wondefully hooked becauses it is Divine screwing himself. The schitt stains on his drawers are a particularly palatable touch. Anyway, that obnoxious meeting leads to a horrible runt girl named Taffy. Taffy is pure, unfriendly fun. She doesn’t acquire to go to school, doesn’t have any friends, and is forced to socialize with an increasingly mopish and essential Dawn. Oh, the sweet brutality that child suffers at the hands of her Mama. If you like child abuse, you’ll be gassed by Taffy’s problem. Especially when she is played by Waters regular, Mink Stole. Oh, what joy seeing a grown woman dressed like a profoundly deprived Shirley Temple on Meth.
Mary Vivian Pearce and David Lochary embody an ascetic, glacial glamour that is enhanced by their artic attire. As Donna and Donald Dasher, they are sexless, emotionless ciphers devoted completely to their credo that “crime is beauty”. Dawn, who’s devotion to pure glamour eventually supercedes even the Dashers, is the perfect vehicle for the Dasher’s philosophy. She is certainly involved to participate in the Dasher’s supreme vision. This vision culminates in a wild final sequence that is decidedly not particularly glamourous. I don’t quite know what the intent was of these final scenes, but they didn’t live up to the promise as personified by the Dashers.
Edith Massey once again shimmies her ravishing make into exceedingly revealing costumes. There is even a shot of her heaving rack. I’d buy that over a thousand shots of Angelina Jolie. . Edie is subjected to all sorts of indignities as the gleaming Aunt Ida. She’s verbally abused, mutilated, and confined like a Slave on a ship. Yet, she retains her girlish charm and it is impossible not to feel sympathetic towards her. That is basically the genius of Edith Massey. She even had me rooting for her as the completely sadistic Queen Carlotta in Desperate Living. I bet she made really strong drinks for her friends…
My all time celebrated John Waters film. It is deliciuosly Awful, unbiased the scheme I like it. Divine, Edith Massey,Mink Stole and ALL of the ‘Dreamlanders’ are cult legends. I admire it more than Pink Flamingos, which is another trash masterpiece. THE BEST!
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